Posts Tagged ‘Universal’

Review: The Wolfman (2010)

Posted: April 14, 2011 in Reviews
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I set about writing this blog to vent about my passion for great horror films and in some small way to convince the doubters that horror is more worth than its reputation would have you believe. I’m not sure that this remake of the 1941 classic is going to help make my case – in fact I’m fairly sure that it won’t – but let’s be clear; I did enjoy myself. It’s a guilty pleasure certainly, but there’s nothing wrong with bubbles in your bath.

Werewolf Wellies

A couple of things helped – first off, I saw this with my sister at a great cinema. The Empire Leicester Square is simply enormous with a wonderful THX sound system, and there’s probably no film that it wouldn’t improve.

Secondly, there’s almost nothing that I don’t like about the Universal horror movies of the 30s and 40s, so my mind was half way made up before entering the cinema. My fond memories of Lon Chaney Jr. stomping around in his werewolf wellies were fresh in my mind, and the overall atmosphere of that movie, as in so many of those early horrors was genuinely eerie, helped as it was by wonderful gothic sets and generous helpings of fog.

From the get go, it’s clear that those involved had a healthy respect for the original and have gone some way towards recreating its feel. The tone is unmistakably gothic and the scenes fogbound. They set it in Victorian England and weren’t tempted to update it or transplant it, much to their eternal credit. (more…)

Sign the Petition!

Posted: April 14, 2011 in Uncategorized
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Further to my last post, if you’d like to see At the Mountains of Madness green-lighted, join me in signing the online petition. It’s important, dammit.

At the Mountains of Madness

Posted: April 14, 2011 in Uncategorized
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This is not exactly new news, but it’s worthy of comment. I can’t tell you how upsetting I find the news that Universal – the studio that started it all – have pulled the plug on Guillermo Del Toro’s “At the Mountains of Madness” project. Apparently his dream project, he’s one of the few directors that I would feel really comfortable about directing one of H P Lovecraft’s most famous stories. The whole project sounded like a dream come true – Del Toro directs, James Cameron produces and, er, Tom Cruise was to star.

How quickly we move from dream to nightmare. Universal got nervous about the project, and I have some sympathy even if I am devastated about the whole sorry affair. The project was to cost $150m, to be shot in 3D and would have an R rating. Those in the know suggest that there’s no way that it could have recouped its money.

But what a shame – it’s my fervent belief that if we finally get a top quality Lovecraft film into the cinemas then the fans will come. And a new generation of fans will be born. Furthermore, that success will breed success – after Mountains, comes Call of Cthulhu and after that comes The Colour out of Space and on and on. There’s no shortage of great source material. Surely one of the studios will realise the franchise potential here?

Welcome

Posted: April 14, 2011 in Uncategorized
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Welcome one, welcome all. I am a firm believer that horror cinema is in need of your help. There doesn’t seem to be any shortage of films being made, I’ll grant you, but how many of these are any good? As you will discover, I am somewhat of a romantic when it comes to my taste in horror and I hanker back to the good old days.  The silver age of horror in the 30s and 40s when Universal introduced horror icons to the masses. The sci-fi inflected B-movies of the 50s. The block-busters of the 70s (I’m thinking of the Omen and the Shining rather than the Last House on the Left, but more of that later).

Seemingly a new horror film comes out every day, but so often they’re cheap, uninspired and most significantly utterly lacking in that most critical of horror ingredients: atmosphere. Hollywood has most to answer for as we’ve certainly seen interesting movies come from elsewhere, notably the far-east. But I would love more than anything else for Universal and the other Hollywood studios to start making grown-up horror again. Join me in lobbying for the return of that most rare of cinematic entities – the atmospheric, grown-up, top notch horror flick.